Senior Project Manager

Nordicity (Vancouver office) acknowledges that it is founded on the unceded territories of the Coast Salish Peoples, including the territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations.

The Organization
Nordicity is an international consultancy providing private and public-sector clients with solutions in the areas of Economic Analysis, Strategy and Business, and Policy and Regulation across four priority sectors: arts, culture, and heritage; digital and creative media; information and communication technologies (ICTs); and, innovation. With offices in Vancouver, Toronto, and London (UK), Nordicity has—for the past 40 years and counting—been providing its clients with the tools and insights required to adapt, evolve, and thrive in markets that iteratively change. With the confluence of activity unfolding in today’s global economy, Nordicity’s services—known for being solutions-focused and bespoke—are particularly relevant to the sectors and clients that the organization serves.

The Opportunity
Nordicity is adding a Senior Project Manager to its growing team. Reporting to the Partner in charge of Nordicity’s Vancouver office, and working closely with Managers, Directors, and Partners from across the firm, the successful candidate is primarily responsible for contributing to project management, analysis, and reporting (both in written and verbal form) across numerous Nordicity engagements. In their role, the candidate will lead the delivery of several concurrent projects in partnership with teams found across Nordicity’s offices. As part of the firm’s Project Management Committee, the successful candidate will draw upon their systems and operations experience to ensure that processes linked to Nordicity’s client engagements undergo continuous improvement analysis.

The salary for the position of Senior Project Manager is approximately $75,000, and the context of work is hybrid/remote (with the successful hire working from Nordicity’s Vancouver office location when not working from home).

Qualifications
Among the qualifications being sought in candidates, the incoming leader must have a deep and abiding commitment to advancing reconciliation, equity, diversity, and inclusion in all its forms and must believe, intrinsically, in the importance of leading
with curiosity and welcoming ideas that can later be synthesized and turned into possibility. While all candidates are encouraged to apply and, in so doing, share how they see themselves adding value to the Nordicity environment, the following credentials and/or experiences are seen as possible markers of the candidates most likely to realize success in the role: A) a reputation for being highly organized, with the ability to effectively prioritize tasks among a variety of competing priorities; B) a critical thinker, someone who routinely adds value to project teams and clients given their ability to connect the dots; C) a strong communicator, both in verbal and written form, with a track record of successfully managing multiple projects; D) a people-person who finds team-based projects both energizing and impactful; and, E) a degree from a recognized post-secondary institution, or the equivalent combination of education and professional work experience.

How to Apply
Nordicity encourages Indigenous Peoples, people of colour, people with diverse abilities, people of diverse sexual orientation, gender identity or expression (LGBTQ2S+), as well as others who may reflect Canada’s diverse population to apply. Interested applicants can send their resume to Jason Murray by e-mailing jmurray@bipocsearch.com, or can apply through the BIPOC Executive Search mobile app.

Nordicity is also committed to developing an inclusive, barrier-free selection process and work environment. Please advise Jason Murray at the e-mail address above if you require accommodations during the process.

We thank everyone for their expression of interest—and are truly appreciative of the time individuals put into applying—but with the limitations of time only those selected for an interview will be contacted.

Hourly Wage, Salary or Salary Range: 
75,000
Application Deadline: 
Tuesday, August 1, 2023
Type of Work: 
Full Time
City: 
Vancouver
Province: 
British Columbia
Education Level: 
University (Graduate)
Languages: 
English
Travel: 
No
Prefered Method(s) of Application: 
By E-Mail

Analyst

About Nordicity
Nordicity is a leading international consulting firm, working with public and private sector clients across the creative and cultural industries (CCIs), including arts, heritage, technology and innovation sectors. Nordicity regularly works on the following types of projects:
▪ Industry Research: Economic, Labour Market and Market Research Studies
▪ Feasibility Assessments for Facilities
▪ Evaluation and Performance Measurement
▪ Municipal Planning and Public Engagement
▪ International Development / Cultural Relations Policy and Practice
▪ Economic Modelling and Impact Assessments
▪ Policy Advisory Services and Advocacy Research
▪ Digital Transformation and Strategy
▪ Strategic Planning, 360 Impacts, and Change Management
▪ Equity, Diversity and Inclusion Policy and Practice

Nordicity was founded in 1979, acquired by PricewaterhouseCoopers (PwC) in 1997, and re-launched as an independent entity in 2002, coincident with the acquisition of PwC’s consulting practice by IBM.

Today, Nordicity employs more than 28 full-time staff and serves clients across Canada and the world from our three locations. Our offices are located in Vancouver, on the unceded territories of the Musqueam), Squamish, and Tsleil-Waututh Nations; in Toronto, on the Treaty Lands and territory of the Mississaugas of the Credit and the traditional territory of the Anishinaabe, the Wendat, and the Haudenosaunee; and in London (UK).

Role Details
Starts: As soon as possible
Location: Hybrid work environment in Vancouver (2 days+ per week in the office in East Vancouver)
Hours: ~40-hours per week; flexible allocation
Salary: Commensurate with experience, starting at ~$56,000
Duration: Permanent, following a three-month probationary period

About the Position
Nordicity is looking to add an Analyst to our team. The successful candidate will be responsible for contributing analysis and reporting across a number of Nordicity engagements. Aspects of this position include (but are not necessarily limited to) the following:
▪ Research support: Assisting Nordicity consultants in support of projects (e.g., desk research, phone interviews, survey development etc.) and/or business development initiatives with desk/secondary research;
▪ Economic analysis: Assisting Nordicity consultants developing and undertaking economic analyses based on a variety of sources, from Statistics Canada to survey data;
▪ Data Management: Organizing, collating and/or cleaning data gathered via survey questionnaire and/or interviews, roundtables etc.;
▪ Reporting: Contributing written content to Nordicity project and/or business development initiatives (such as research or interview summaries, case studies), proofreading and editing Nordicity reports and/or proposals, blog posts as needed;
▪ Logistical support: Supporting projects and/or business development initiatives by arranging interviews, focus groups and/or other stakeholder engagements, as well as assembling proposal packages for delivery;
▪ Copyediting: Proofreading and editing Nordicity reports and/or proposals;
▪ Administration: Assisting, as needed, in the operation of Vancouver’s office and/or corporate processes (as all Nordicity employees are required to do).
Ideal Qualifications:
▪ Graduate degree in a field relevant of any of Nordicity’s practice areas;
▪ 1+ year of consulting experience, or the equivalent in any of Nordicity’s practice areas;
▪ A deep and abiding commitment to advancing reconciliation, equity, diversity, and inclusion;
▪ Expertise with Microsoft 365 (incl. Word, Excel, PowerPoint, etc.);
▪ Strong written English skills (incl. grammar, spelling, narrative structure);
▪ Proven analytical abilities (e.g., drawing meaningful insights from research findings);
▪ Experience working with (internal or external) clients;
▪ Project management and/or personnel management experience will be considered an asset.

How to Apply
Please submit your up-to-date CV to careers@nordicity.com

When sharing your CV, please include a cover letter describing your interest in the role, as well as your relevant strengths and skillsets. We regret that only those candidates selected for an interview will be contacted. If contacted, candidates may be asked to provide writing samples and/or examples of previous analytical work.

Nordicity especially encourages Indigenous People, People of Colour, people with diverse abilities, people of diverse sexual orientation, gender identity or expression (LGBTQ2S+), as well as others who may reflect Canada’s diverse population to apply.

Nordicity is also committed to developing an inclusive, barrier-free selection process and work environment. Please let us know via careers@nordicity.com if you require accommodations during the process.

Hourly Wage, Salary or Salary Range: 
56,000
Application Deadline: 
Tuesday, August 1, 2023
Type of Work: 
Full Time
City: 
Vancouver
Province: 
Ontario
Education Level: 
University (Graduate)
Languages: 
English
Travel: 
No
Prefered Method(s) of Application: 
By E-Mail

Production Manager

JOB DESCRIPTION

Under the authority of the Artistic and Managing Director, the Production Manager is responsible for the planning and execution of all production and presentation activities. The individual is responsible for allocating all human and material resources necessary for the smooth operation of productions.

RESPONSIBILITIES

During presentations

  • Plan and ensure the management of technical production needs and logistics during a presentation (venue rental, consultation of technical riders, coordination of the presentation, etc.)
  • Facilitate communication and coordinate production meetings between the technical staff of the venues, la Seizième’s technical director and the visiting companies
  • In collaboration with the technical director, establish the equipment rental list and monitor the budget for equipment rental, create technician schedules for load-in and strike of the set; ensure the hiring of necessary personnel (technicians, surtitling operators, etc.)
  • Request quotes from suppliers, secure resources, and coordinate the reception and return of equipment
  • Coordinate the reception and shipping of sets and touring equipment
  • Ensure communication between technical, artistic, and administrative departments
  • Facilitate the arrival and coordinate the hospitality of artists in Vancouver
  • Create work schedules for box office, bar, and front-of-house staff for the show
  • Facilitate audience hospitality and safety in various venues when presenting a show
  • In collaboration with the administrative director, track expenses, update the budget, and reconcile finances at the end of each project.

During in-house productions

  • Plan and manage the technical needs of in-house productions in collaboration with the technical director
  • Collaborate with the director to prepare and update production schedules and calendars
  • Collaborate with the technical director and designers to negotiate service agreements and request quotes from suppliers to secure the necessary material resources (equipment, set designs, costumes, props, etc.) for the productions
  • Supervise, accompany, and support the design team throughout the process
  • Plan, convene, and facilitate production meetings, take notes, and communicate them to the production team
  • Act as a liaison between the creative team and the theatre’s administrative team
  • Welcome and integrate the stage management team during venue set-up
  • Collaborate with the technical director and stage management to create crew schedules for load-in, technical rehearsals, and strike)
  • Collaborate with the administrative director to finalize reconciliation.

Special projects

  • Maintain an up-to-date inventory of technical equipment at la Seizième and offer advice on equipment purchases at the end of the fiscal year
  • Ensure storage and management of materials in the warehouse
  • Ensure the maintenance of the company van, including valid insurance coverage during periods of use
  • Collaborate with management to develop, update, and implement various company policies related to operations (eco-responsibility, emergency procedures, digital plans)
  • Develop and update supplier, artistic, and venue databases
  • Collaborate with artistic and general management to create and update the annual calendar of activities
  • Support the company’s management in recruiting and training technical directors.

REQUIRED QUALIFICATIONS

  • College-level education in theatre production, relevant training, or a minimum of 3 years of experience in a production coordination role in the entertainment industry
  • Valid driver’s license
  • Proficiency in spoken and written French and English
  • Good knowledge of technical terms and equipment related to the production or presentation of theatre
  • Knowledge of technical direction is an asset
  • Proficiency in Microsoft Office, GSuite, AirTable, and Tuxedo software is an asset
  • Knowledge of the artistic community in British Columbia and Canadian Francophonie is an asset
  • Serving it Right certification and first aid training are assets

DESIRED SKILLS

  • Excellent organizational skills and ability to prioritize
  • Strong communication, diplomacy, and versatility
  • Ability to work under pressure and manage stress
  • Ability to manage multiple projects simultaneously within tight deadlines
  • Demonstrated leadership skills and ability to work in a team
  • Autonomy, initiative, and creativity

WORKING CONDITIONS

  • A caring, dynamic, and motivating work environment
  • Flexible working hours
  • Two weeks of vacation per year, three weeks after 3 years in the position
  • Group insurance plan

SALARY

Full-time position, based on a 35-hour workweek.
Salary range: $42,000 – $48,000 per year, to be discussed based on experience.

HOW TO APPLY?

To submit an application, please send a cover letter in French along with your curriculum vitae to Catherine Ballachey at the email address administration@seizieme.ca.
Only candidates selected for an interview will be contacted.

The deadline to submit your application is Friday, June 30, 2023.

Hourly Wage, Salary or Salary Range: 
Salary range: $42,000 – $48,000 per year, to be discussed based on experience.
Application Deadline: 
Friday, June 30, 2023
Type of Work: 
Full Time
City: 
Vancouver
Province: 
British Columbia
Education Level: 
College/Cegep
Languages: 
English
French
Travel: 
Yes
Prefered Method(s) of Application: 
By E-Mail

Responsable de production

PROFIL RECHERCHÉ

Sous l’autorité de la direction artistique et générale, le ou la responsable de production est en charge de la planification et de l’exécution de l’ensemble des activités de production, et de l’accueil des spectacles. Le ou la responsable est chargé·e d’affecter l’ensemble des ressources humaines et matérielles nécessaires au bon fonctionnement des productions.

RESPONSABILITÉS

Lors de l’accueil d’un spectacle

  • Planifier et veiller à la gestion des besoins et de la logistique technique de production lors d’un accueil (location de salle, consultation des devis techniques, coordination de l’accueil, etc.)
  • Faciliter la communication et coordonner les rencontres de production entre la direction technique des salles de spectacle, la direction technique de la Seizième et les compagnies en accueil
  • En collaboration avec la direction technique, établir la liste de matériel à louer et surveiller le budget pour la location d’équipement, créer les horaires du personnel technique pour le montage et démontage; s’assurer de l’embauche du personnel nécessaire (technicien·ne, opérateur·ice de surtitres, etc.)
  • Demander les devis auprès des fournisseurs, réunir les ressources et coordonner la réception et le retour du matériel
  • Coordonner la réception et l’expédition du décor et du matériel en tournée
  • Assurer la communication entre les départements techniques, artistiques, et administratifs
  • Faciliter l’arrivée et coordonner l’accueil des artistes à Vancouver
  • Créer l’horaire de fonction des équipes pour le personnel de billetterie, de bar et d’accueil du spectacle
  • Gérer l’aménagement des lieux pour faciliter l’accueil et la sécurité du public
  • En collaboration avec la direction administrative, effectuer le suivi des dépenses, la mise à jour du budget et la réconciliation à la fin de chaque projet

Pendant la production de nos créations

  • Planification et gestion des besoins technique des productions maison en collaboration avec la direction technique
  • En collaboration avec le ou la metteur·e en scène, préparer et mettre à jour les horaires et les calendriers de production
  • En collaboration avec la direction technique et les concepteur·ice·s, négocier des ententes de service et faire les demandes de devis auprès de fournisseurs afin de sécuriser les ressources matérielles (équipement, décor, costumes, accessoires, etc.) nécessaires aux productions
  • Superviser, accompagner et soutenir l’équipe de conception tout au long du processus
  • Planifier, convoquer et animer les réunions de production, prendre les notes et les communiquer à l’équipe de production
  • Agir à titre de lien entre l’équipe de création et l’équipe administrative du théâtre
  • Accueillir et intégrer la régie lors de l’entrée en salle
  • En collaboration avec la direction technique et la régie, créer les horaires pour le montage et démontage du personnel technique s’assurer de l’embauche du personnel nécessaire (technicien·ne·s)
  • En collaboration avec la direction administrative, communiquer les budgets aux équipes, effectuer les mises à jour en cours de création, assurer le respect des budgets et la réconciliation finale

Projets spéciaux

  • Garder à jour l’inventaire des équipements techniques de la Seizième et proposer l’achat d’équipement en fin d’année fiscale
  • Veiller au rangement et à la gestion de matériel dans l’entrepôt
  • Veiller à l’entretien du van de la compagnie et s’assurer d’avoir les assurances valides pendant les périodes d’utilisation
  • En collaboration avec la direction, développer, mettre à jour et mettre en action les différentes politiques de la compagnie liées aux opérations (éco-responsable, procédures d’urgence, plan numérique)
  • Développer et mettre à jour les bases de données fournisseurs, artistiques et salles de spectacle
  • En collaboration avec la direction artistique et générale, créer et mettre à jour le calendrier annuel des activités
  • Appuyer la direction de la compagnie pour le recrutement et l’orientation des directions techniques

EXIGENCES REQUISES

  • Formation de niveau collégial en production théâtrale, autre formation jugée pertinente ou un minimum de 3 années d’expérience dans un poste relié à la coordination de production dans l’industrie du spectacle
  • Permis de conduire valide
  • Maîtrise du français et de l’anglais, parlé et écrit
  • Une bonne connaissance des termes et des équipements techniques liés à la production ou à la présentation d’œuvres théâtrales
  • Des connaissances du métier de direction technique est un atout
  • Maîtriser les logiciels de Microsoft Office, GSuite, AirTable, Tuxedo est un atout
  • Connaissance du milieu artistique en Colombie-Britannique et de la francophonie canadienne est un atout
  • Certification Serving it Right et formation premiers soins est un atout

APTITUDES RECHERCHÉES

  • Excellent sens de l’organisation et gestion des priorités
  • Habiletés de communication, de diplomatie et de polyvalence
  • Capacité à travailler sous pression et à gérer le stress
  • Capacité à gérer plusieurs projets simultanément dans des échéanciers serrés
  • Faire preuve de leadership et une capacité à travailler en équipe
  • Autonomie, initiative et inventivité

CONDITIONS DE TRAVAIL

  • Un environnement de travail bienveillant, dynamique et motivant
  • Un horaire de travail flexible
  • Deux semaines de vacances par année, trois semaines après 3 ans en poste
  • Un régime d’assurance collective

CONDITIONS SALARIALES

Le poste est à temps plein sur une base de 35h/semaine.
Entre 42 000$ – 48 000$ par année, à discuter en fonction de l’expérience.

COMMENT POSTULER?

Pour soumettre une candidature, veuillez faire parvenir une lettre de motivation en français, accompagnée de votre curriculum vitae, à l’attention de Catherine Ballachey à l’adresse courriel administration@seizieme.ca.

Seul·e·s les candidat·e·s retenu·e·s pour un entretien seront contacté·e·s.

La date limite pour déposer votre candidature est le vendredi 30 juin 2023.

Hourly Wage, Salary or Salary Range: 
Entre 42 000$ – 48 000$ par année, à discuter en fonction de l’expérience.
Application Deadline: 
Friday, June 30, 2023
Type of Work: 
Full Time
City: 
Vancouver
Province: 
British Columbia
Education Level: 
College/Cegep
Languages: 
English
French
Travel: 
Yes
Prefered Method(s) of Application: 
By E-Mail

Director, Major Gifts and Capital Campaign

The WSO seeks a seasoned and driven development and advancement professional to join a dynamic team committed to a vibrant future for the WSO.  The Director of Major Gifts and Capital Campaign will report to, and work closely with the Executive Director and work with the Public Engagement Department as part of a collaborative team.  The incumbent plans, strategizes, oversees and/or executes a multi-pronged major gifts strategy (for both operations and the capital campaign) as well as communications, planning and execution of the capital campaign in collaboration with the WSO and the PAC. 

The successful candidate will have at least 7 years’ experience in non-profit sector fundraising, with experience in capital campaign planning and execution.  A degree from a post-secondary institution is required, and advanced training in a recognized fund-raising program is considered an asset. Superior written and verbal communication skills are required.

This three-year full-time position may require work on some evenings and weekends. The WSO welcomes all qualified applicants and highly values inclusion, diversity and equity. Hybrid work environment is a possibility.

Salary:  Salary will be commensurate with experience.  WSO staff are eligible for a full benefits plan including a matching RRSP contribution program.

To Apply:  Please submit a cover letter along with a CV and 3 references to: Leigh Karras, Corporate Secretary (lkarras@wso.mb.ca).  Applications will be reviewed beginning July 12, 2023, however the position will remain open until filled.   Note that references will only be contacted following the interview process and in the eventuality of a potential offer.

For more information, please visit the detailed job description at https://wso.ca/auditions-careers/

Application Deadline: 
Wednesday, July 12, 2023
Type of Work: 
Full Time
City: 
Winnipeg
Province: 
Manitoba
Education Level: 
University (Undergraduate)
Languages: 
English
Travel: 
No
Prefered Method(s) of Application: 
By E-Mail

Executive Director, Stratford Summer Music

Stratford Summer Music and the Executive Director

Stratford Summer Music [SSM] is an annual festival in a city known internationally for its cultural distinction and its tourism charm. SSM’s  concerts and events are celebrated and supported by the public, by private and corporate patrons, by governments and by media. 

Since its inception in 2001, prominent and emerging Canadian artists and ensembles, joined by world musicians of renown, have performed in the Stratford venues which the festival uses as its concert and event locations. The Festival currently has a four week summer program with over 45 performances and a number of off season events.

SSM is committed to produce, to the highest standards possible, an annual program of diverse and exciting performances which explore a wide range of genres. SSM offers performances of musical richness and excellence rarely found outside large urban centres.
The current General Manager, Kendra Fry, will depart on September 30, 2023, after two  and one half years of service to SSM, to pursue her consulting practice in Church Repurposing. The Board is now recruiting for the position with the updated title of Executive Director.

SSM Mission Statement

Stratford Summer Music stages an annual summer music festival of diverse musical experiences for both regional and wider audiences, to celebrate music and to enhance the reputation of the Stratford region as an exceptional home for all the arts.

The Role

Responsible directly to the Board of Directors and working closely as a partner with the Artistic Director, who develops the programming and special events for each season, the Executive Director, is the senior administrative officer of the organization, generally responsible for the music festival’s financial, administrative, office management, personnel, marketing and promotional affairs.

Responsibilities

General Administration: Manage the day-to-day operations and business of the festival and work closely with the Artistic Director who is responsible for the artistic content and presentations of the festival. Responsible for regular reports to the Board, coordination of materials and regular reporting at Board meetings.

Financial Management: Accountable for administering all Board-approved financial activities of the festival.  Responsibilities include:

a) Preparation of yearly budgets in consultation and co-operation with the Artistic  Director.
b) Presentation of the annual budget to the Board.
c) Preparation of monthly financial reports for the Board.
d) Support the Artistic Director with negotiation and overseeing fulfillment of all contracts required to deliver the festival season.
e) Preparation and writing of Grant applications.
f) Institute and maintain, with the assistance of the Board, effective budgetary control and administrative procedures.
g) Liaise with SSM’s Investment Manager and keep current on endowed funds
h) Work with and support the auditors in their annual audit activities.
i) Assist the Board with governance review and policies as required.
j) Be a signing officer of the organization, along with the Chair and Treasurer of the SSM Board.

Office Management: Responsible for the smooth running of the SSM office and:
a) Ensure all required SSM documentation is held at the SSM office in a logical and secure manner.
b) Administer and monitor the ticket sales system.
c) In consultation with the Artistic Director, select, hire, train and supervise all administrative, volunteer and seasonal staff.
d) Ensure website, social media sites, print and phone messaging are monitored and maintained with relevant and current information.

Fundraising and Special Projects:  Co-ordinate fundraising activities which support the budgeted, annual fundraising objectives, including:
a) Maintain and grow the festival’s donor bases.
b) Preparation, with oversight of fund development / communications staff, for all fundraising documents e.g. Donor, Sponsor and Grant applications.
c) Work with appropriate Board committees and staff to ensure that major fundraising activities and projects are successful.
d) Identify and develop additional opportunities for the advancement and development of festival fundraising activities.
e) Work with the Artistic Director and the Board to maintain existing major donors and supporters and to identify and win new major donors.

Sales, Marketing and Promotion: Oversight of all marketing and communications activities and promotion of the festival.  Responsibilities include:
a) In consultation with the Artistic Director, establish the sales, marketing and promotional direction of the festival and evaluate the results of the marketing initiatives.
b) Implement the Board-approved Strategic Plan and, with the Artistic Producer and the Board, participate in development of Strategic Plans
c) Work on local/regional/national media relations & promotional plans and activities in consultation with the public relations firm.
d) Represent SSM on community and professional associations, organizations and events

Key Relationships
• The Board of Directors
• Artistic Director and Staff of SSM
• Patrons, audiences and the broader community
• Donors, sponsors and volunteers
• Municipal, provincial and federal governments, each of which provides grant funding to SSM
• Canadian and international music presenters, agencies and organizations
• Partner cultural institutions
• Media

Experience
• A minimum five years of experience with senior management level responsibility in arts/culture management,
• Understanding of, and ideally experience with, cultural festival operations, music production and artistic processes.
• Passion for live music in all its genres.
• Fundraising experience in the cultural/NFP environment
Characteristics
• Strong interpersonal and communications skills
• Productive team builder and leader
• Possess the financial acumen required to balance programming excellence with revenue goals
• Strong strategic and analytical skills, with the ability to interpret information quickly and accurately and to implement directives
• Excellent oral and written communication skills
• Experience with grant application writing and process
• Ability to work comfortably in a fast-paced and rapidly changing environment
• Availability to work evenings and weekends as needed during the festival season
• Ability to maintain complete confidentiality of information as appropriate

Stratford, Ontario

Located in the heart of Southwestern Ontario, Stratford is a thriving community of 32,000 residents, two hours west of Toronto. Each summer, over half a million tourists visit Stratford, both to attend the world renowned Stratford Festival, and for the vibrant musical, culinary, heritage and environmental attractions which far exceed that of any comparable small Canadian city.  Stratford is a family community, a farming community, a technology hub, and a manufacturing base.  Its parklands are exquisite, its population warm and welcoming.

Hourly Wage, Salary or Salary Range: 
$65,000 - $70,000
Application Deadline: 
Monday, June 26, 2023
Start Date: 
Tuesday, September 5, 2023
Type of Work: 
Full Time
City: 
Stratford
Province: 
Ontario
Education Level: 
University (Undergraduate)
Languages: 
English
Travel: 
No
Prefered Method(s) of Application: 
By E-Mail

Hatch Curator of Indigenous Art and Cultures - Royal Ontario Museum

The Organization
The Royal Ontario Museum (ROM) is a cultural institution that showcases art, culture, and nature from around the world and across the ages. Among the top 10 cultural institutions in North America and Canada’s largest and most comprehensive museum, ROM has a world-class collection of 13 million artworks, cultural objects, and natural history specimens, featured in 40 gallery and exhibition spaces. ROM's mission is to transform lives by helping people to understand the past, make sense of the present, and come together to shape a shared future. The museum is known globally for expanding the boundaries of knowledge and presenting that knowledge in new and innovative ways within the intersecting worlds of art, culture, and nature. ROM's extensive exhibition schedule and public programs attract approximately 190,000 students and 1.3 million visitors or more in a typical year.

ROM’s collection of Indigenous Art and Cultures is significant within Canada, featuring more than 40,000 cultural objects, or belongings, and works of art from diverse lands and cultures. The collection includes important Indigenous ceremonial and cultural heritage items from many Indigenous communities spanning the last two centuries as well as important works of contemporary art.

  

Community
Toronto, located on the Treaty Lands and Territory of the Mississaugas of the Credit First Nation, is the largest city in Canada and the most diverse city on the planet (as designated by the United Nations) with over 50% of the population being foreign born. The provincial capital of Ontario, it has a vibrant arts and culture scene, with over 164,000 culture jobs and numerous museums and performing arts organizations. Combining its original heritage architecture with the contemporary Daniel Libeskind-designed Michael Lee-Chin Crystal, ROM serves as a national landmark and a dynamic cultural destination in the heart of the city surrounded by universities, colleges, and specialized research centers.

Toronto was the first city in Canada to be designated as a UNESCO Creative City of Media Arts and is also the fastest-growing technology market in North America, with 80,100 jobs created—greater than the job growth in New York City, Seattle, and Boston combined. The city has also been undergoing a construction boom over the last decade. This increased commercial development is coinciding with major transportation upgrades, including the $640 million revitalization of Union Station, Canada’s busiest transportation hub. Toronto also plays a significant role in the global film industry, serving as home to an international film festival and as a filming location for numerous television shows and movies. With vibrant neighborhoods that offer both urban and suburban living options, quality schools and access to over 50 kilometres of waterfront with beaches, parks, marinas, and waterfront trails; Toronto consistently ranks as one of the most livable cities in North America.

Sources: census.gc.ca; cbc.ca; thestar.com; utoronto.ca; travelandlesisure.com; financialpost.com

 

Toward a Deeper Indigenous Partnership
A top priority of ROM’s strategic direction is forging new and stronger relationships between Indigenous nations and communities, and museums. Indigenous people must have a leading voice in determining how their cultural heritage is cared for and shared.

In doing this work, ROM is informed by the Truth and Reconciliation Commission’s Calls to Action, the United Nations Declaration on the Rights of Indigenous Peoples, the recent Canadian Museums Association’s Moved to Action report as well as its 1994 Task Force Report on Museums and First Peoples, and by current museological practices.

ROM is currently recruiting staff with robust ties to Indigenous nations or communities for key positions across museum departments and activities. These critical positions include the Vettoretto Curator of North American Archeology, the Hatch Curator of Indigenous Art & Culture, and an Interpretive Planner in the Exhibitions Development department. These colleagues will join the recently appointed Manager of Indigenous Learning and Programs in a cross-departmental cohort to play a leading role in establishing protocols and practices for the care of Indigenous collections and cultural belongings, cultivating formal relationships with First Nations governments, developing exhibitions and galleries, and presenting Indigenous cultures. Recognizing ROM’s origins in colonial practices, the museum is expanding staff training and building internal capacity to create a welcoming work environment for Indigenous colleagues. The museum is in contract discussions with an Indigenous expert in policy and protocols to help us in this regard.

For over 35 years, ROM has worked with Indigenous communities to repatriate ancestors and objects of cultural patrimony from its collection. Over the course of the last year ROM hosted collections visits for 38 Indigenous groups and provided extended consultation with 19 Indigenous groups or individuals, as well as ongoing consultations.

Since 2014, ROM has offered a robust program of Indigenous education, led by Indigenous educators. This work has been guided by an Indigenous Advisory Circle. Indigenous learning remains the most in-demand school program offering at ROM.

Over decades, ROM’s Daphne Cockwell Gallery dedicated to First Peoples art and culture was developed with Indigenous consultation and partnership. In late 2022, however, ROM closed the Gallery, recognizing it needed to be rethought to further centre Indigenous perspectives. After a brief pause, ROM reopened the gallery and launched a series of updates led by two Indigenous museum consultants. These ongoing changes put Indigenous voices in the lead and establish a new direction as the Museum develops a fundraising plan for a more comprehensive gallery reinstallation and conducts searches to fill critical positions.

ROM’s commitment to working collaboratively with members of Indigenous communities fits within a larger effort to acknowledge its colonial history and become a vital community focal point where people of all cultures feel a sense of belonging.

 

Position Summary
Reporting to the Co-Chief Curator, Art and Culture, the position will lead a collaborative approach to stewarding ROM’s Canadian Indigenous Art and Culture collection, creating exhibitions and presenting programs with Indigenous communities and for broad audiences. The newly created position will be a key voice in re-thinking colonial patterns of practice and centering Indigenous perspectives and will interpret ROM’s Canadian Indigenous Art and Culture collection in collaboration with communities through inclusive, transdisciplinary thinking, digital practices, and innovation. The Hatch Curator of Indigenous Art and Cultures (Curator) will lead the repatriation of Indigenous ancestral belongings through deep engagement with relevant communities, in close partnership with the Vettoretto Curator of North American Archaeology. The Curator will collaborate with ROM’s Learning Department and Indigenous Museum Educators to develop Indigenous-centred educational and outreach programming, including supporting the Ontario curriculum in First Nations, Métis, and Inuit Studies. The Curator will champion cross-cultural and cross-disciplinary perspectives to highlight the relevance of ROM’s collection of art, culture, and nature in contemporary societies, and have ambitions for a flourishing relationship between ROM and Indigenous communities. 

 

Roles and Responsibilities
Collections, Research, and Exhibitions

  • Lead the repatriation of Indigenous ancestral belongings through deep engagement with relevant communities, in close partnership with the Vettoretto Curator of North American Archaeology, responding to developments in the field and community expectations, and establishing staff repatriation strategies and priorities.
  • Establish and lead a vision for the Indigenous belonging collection at the ROM and develop a 10-year collection care and learning plan, in alignment with ROM’s mission, vision, values, and strategic plan, and in integration with ROM’s full collection.
  • Steward the Indigenous belonging collection, through research, communication, rotation and display, care and record-keeping, provenance study, digitization, and publication.
  • Interpret and care the Indigenous belonging collection in new directions and through active community engagement and scholarly endeavor.
  • Develop original, scholarly research and publications relating to ROM collections, exhibitions, and related topics.
  • Conduct and facilitate research and visitation on the Indigenous belonging collection by visiting scholars, community leaders and researchers, and Indigenous representatives.

Exhibition and Gallery Development

  • Collaborate with community stakeholders, curatorial colleagues, and interpretive staff to generate innovative visitor-centric and transdisciplinary gallery and exhibition projects.
  • Participate in Master Gallery Interpretative Planning (MGIP), and work with ROM exhibition staff to continue re-development of ROM’s Daphne Cockwell Gallery Dedicated to First Peoples Art and Culture.
  • Oversee content development for gallery interventions, rotations, programs, and special exhibitions in Indigenous art and culture, and contribute to larger cross-institutional and transdisciplinary exhibition and gallery projects.

Public Programs and Community Engagement

  • Work collaboratively with Indigenous Museum Educators and engagement staff to initiate on-site and virtual programs and school curriculum related to Indigenous heritage.
  • Provide lectures, tours, and workshops to the general public, volunteers, professional colleagues, and museum supporters.
  • Cultivate support for exhibitions, galleries, programs, symposia, acquisitions, research grants, and fellowships through association with professional organizations, foundations, collectors, and donors.
  • Maintain professional affiliations in scholarly and museum curatorial organizations, professional societies, and relevant committees.
  • Embrace other collections, research, exhibition, gallery development, public program and community engagement duties as needed.

 

Traits and Characteristics
The Hatch Curator of Indigenous Art and Cultures will be receptive to and will effectively communicate innovative ideas, methods, and opportunities in honouring the past while framing relevant contemporary societal issues. They will seek to learn and acquire new knowledge and will bring an understanding of people, values, and systems to ROM, demonstrated through a respect for differences, a deep understanding of appreciative inquiry, and an ability to build consensus across difference. An enthusiastic and persuasive team member, they will develop strong relationships with colleagues, supervisors, Indigenous communities, exhibition partners, and many other stakeholders who impact, and are impacted by ROM programs.

Other key competencies include:

  • Diplomacy – The ability to effectively and tactfully handle difficult or sensitive issues, taking numerous perspectives into account, and advancing productive conversations. ROM’s work intersects with many social and cultural initiatives (Truth and Reconciliation, Repatriation, among others) that can engender trauma and challenging conversation with internal and external stakeholders. Diplomacy in all communications is needed to ensure safety and belongingness across the ROM community.
  • Influencing Others and Interpersonal Skills – The dexterity to effectively communicate and personally affect others’ actions, decisions, opinions, or thinking while building rapport and relating well to various stakeholders. All ROM initiatives are a group effort; thus advocating for one’s professional recommendations and expertise is always part of building respectful relationships across the institution.
  • Resiliency – The capacity to quickly recover from challenging or adverse situations, learn, grow, and evolve in contemporary society. The art of working across a large organization engaged in dynamic work in the museum sector to guide collaboration with diverse individuals and groups of stakeholders. Embracing positive momentum while maintaining institutional objectives to drive organizational and sectoral evolution.
  • Teamwork and Personal Accountability – The ability to cooperate with others to meet objectives while being answerable for personal actions. ROM is a collaborative environment where individuals must work across departments with their counterparts and be responsible for advancing a variety of initiatives.
  • Time and Project Management – The acuity to prioritize and complete tasks in order to deliver desired outcomes within planned budgets and time frames. Being adept at working on multiple projects simultaneously and demonstrating a long-term commitment to delivering results on time and within available resources.

 

Qualifications
The successful candidate will have advanced studies in Indigenous art history or a closely related field.  Professional experience in a cultural center, museum, or related environment is an asset, as is a research and publication record specialization in some aspect of Indigenous art and cultures A deep understanding, education, and/or practical experience in understanding of the complexities and societal pressures involved in collections and exhibitions is required. It is required that the successful candidate have an excellent command of both spoken and written English and a working knowledge of an Indigenous language is an asset. Qualified applicants may have lived experience of the culture, language, and lifeways of an Indigenous community that bring new perspectives to the position and to ROM.

The Hatch Curator of Indigenous Art and Cultures search is part of an Indigenous Cohort Hiring initiative that seeks to demonstrate ROM’s commitment to having Indigenous staff throughout the organization whenever possible and to ensuring that Indigenous employees find a welcoming environment and a supportive community.

 

Compensation and Benefits
ROM offers a competitive salary and comprehensive benefits package, including a base salary estimated to be in a range between $87,664 and $146,234 (CAN), dependent on experience, with full medical and dental insurance, a total of 22 days of pro-rated paid time off, and inclusion in the ROM pension plan (via CAAT). This position is part of the ROM Curatorial Association union.

 

Applications and Inquiries
To submit a cover letter and resume with a summary of demonstrable accomplishments (electronic submissions preferred), please click here or visit artsconsulting.com/employment. For questions or general inquiries about this job opportunity, please contact:

Menon Dwarka, Senior Vice President
Wyona Lynch-McWhite, Senior Vice President

2 Toronto Street, Suite 217
Toronto, Ontario M5C 2B5
Tel (888) 234.4236 Ext. 206 (Mr. Dwarka) or Ext. 225 (Ms. Lynch-McWhite)
Email ROM-CuratorIAC@ArtsConsulting.com

Royal Ontario Museum acknowledges that this museum sits on the ancestral lands of the Wendat, the Haudenosaunee Confederacy, and the Anishinaabek Nation, which includes the Mississaugas of the Credit First Nation, since time immemorial to today.

ROM is committed to fair and accessible employment practices and considers equity, diversity, and inclusivity to be foundational to its institutional success. ROM seeks to foster a workplace that reflects the full breadth of the communities it serves and welcomes applications from women, racialized persons, Indigenous/Aboriginal People of North America, LGBTQ2S+, and people with disabilities. Upon request, suitable accommodations are available under the Accessibility for Ontarians with Disability Act (AODA) to applicants invited to an interview.

Hourly Wage, Salary or Salary Range: 
$87,664 to $146,234
Application Deadline: 
Tuesday, August 8, 2023
Type of Work: 
Full Time
City: 
Toronto
Province: 
Ontario
Education Level: 
University (Undergraduate)
Languages: 
English
Travel: 
No
Prefered Method(s) of Application: 
By E-Mail
Apply Online

Vettoretto Curator of North American Archaeology - Royal Ontario Museum

The Organization
The Royal Ontario Museum (ROM) is a cultural institution that showcases art, culture, and nature from around the world and across the ages. Among the top 10 cultural institutions in North America and Canada’s largest and most comprehensive museum, ROM has a world-class collection of 13 million artworks, cultural objects, and natural history specimens, featured in 40 gallery and exhibition spaces. ROM's mission is to transform lives by helping people understand the past, make sense of the present, and come together to shape a shared future. The museum is known globally for expanding the boundaries of knowledge and presenting that knowledge in new and innovative ways within the intersecting worlds of art, culture, and nature. ROM's extensive exhibition schedule and public programs attract approximately 190,000 students and 1.3 million visitors or more in a typical year.

With one of the largest collections of Ontario archaeological heritage in the world, and excellent collections of Maya and Zapotec objects, ROM’s collection includes over 300,000 archaeological objects related to economy, subsistence, food preparation and consumption, spirituality and religion, and trade and exchange. As the country’s preeminent field research institute and an international leader in new discoveries, ROM works to build and share global collections, create knowledge, inspire learning, encourage gathering, and spark exchange on topics within the intersecting worlds of art, culture, and nature that matter to people and communities. The long-term vision of ROM is to become a distinctly 21st-century museum. ROM is known globally for playing a vital role in expanding the boundaries of knowledge, presenting that knowledge in new and innovative ways within the intersecting worlds of art, culture, and nature.

Community
Toronto, located on the Treaty Lands and Territory of the Mississaugas of the Credit First Nation, is the largest city in Canada and the most diverse city on the planet (as designated by the United Nations) with over 50% of the population being foreign-born. The provincial capital of Ontario has a vibrant arts and culture scene, with over 164,000 culture jobs and numerous museums and performing arts organizations. Combining its original heritage architecture with the contemporary Daniel Libeskind-designed Michael Lee-Chin Crystal, ROM serves as a national landmark and a dynamic cultural destination in the heart of the city surrounded by universities, colleges, and specialized research centers.

Toronto was the first city in Canada to be designated as a UNESCO Creative City of Media Arts and is also the fastest-growing technology market in North America, with 80,100 jobs created—greater than the job growth in New York City, Seattle, and Boston combined. The city has also been undergoing a construction boom over the last decade. This increased commercial development is coinciding with major transportation upgrades, including the $640 million revitalization of Union Station, Canada’s busiest transportation hub. Toronto also plays a significant role in the global film industry, serving as home to an international film festival and as a filming location for numerous television shows and movies. With vibrant neighborhoods that offer both urban and suburban living options, quality schools, and access to over 50 kilometres of waterfront with beaches, parks, marinas, and waterfront trails; Toronto consistently ranks as one of the most livable cities in North America.

Sources: census.gc.ca; cbc.ca; thestar.com; utoronto.ca; travelandlesisure.com; financialpost.com

Toward a Deeper Indigenous Partnership
A top priority of ROM’s strategic direction is forging new and stronger relationships between Indigenous nations and communities, and museums. Indigenous people must have a leading voice in determining how their cultural heritage is cared for and shared.

In doing this work, ROM is informed by the Truth and Reconciliation Commission’s Calls to Action, the United Nations Declaration on the Rights of Indigenous Peoples, the recent Canadian Museums Association’s Moved to Action report as well as its 1994 Task Force Report on Museums and First Peoples, and by current museological practices.

ROM has recently appointed three key positions held by indigenous staff including the Hatch Curator of Indigenous Art & Culture, the first Indigenous Interpretive Planner in the Exhibitions Development department, and the Manager of Indigenous Learning and Programs. These positions, in collaboration with the Vettoretto Curator of North American Archaeology, play a critical and leading role in establishing protocols and practices for the care of Indigenous collections and cultural belongings, cultivating formal relationships with First Nations governments, developing exhibitions and galleries, and presenting Indigenous cultures. Recognizing ROM’s origins in colonial practices, the museum is expanding staff training and building internal capacity to create a welcoming work environment for Indigenous colleagues. The museum is in contract discussions with an Indigenous expert in policy and protocols to help us in this regard.

For over 35 years, ROM has worked with Indigenous communities to repatriate ancestors and objects of cultural patrimony from its collection. Over the course of the last year ROM hosted collection visits for 38 Indigenous groups and provided extended consultation with 19 Indigenous groups or individuals, as well as ongoing consultations.

Since 2014, ROM has offered a robust program of Indigenous education, led by Indigenous Museum Educators. This work has been guided by an Indigenous Advisory Circle. Indigenous learning remains the most in-demand school program offering at ROM.

Over decades, ROM’s Daphne Cockwell Gallery dedicated to First Peoples art and culture was developed with Indigenous consultation and partnership. In late 2022, however, ROM closed the Gallery, recognizing it needed to be rethought to further centre Indigenous perspectives. After a brief pause, ROM reopened the gallery and launched a series of updates led by two Indigenous Museum consultants. These ongoing changes put Indigenous voices in the lead and establish a new direction as the museum develops a fundraising plan for a more comprehensive gallery reinstallation and conducts searches to fill critical positions.

ROM’s commitment to working collaboratively with members of Indigenous communities fits within a larger effort to acknowledge its colonial history and become a vital community focal point where people of all cultures feel a sense of belonging.

Position Summary
The Vettoretto Curator of North American Archaeology (Curator) will lead a collaborative approach to stewarding ROM’s North American, and especially Ontario, archaeology collection, creating exhibitions and presenting programs with Indigenous communities and for broad audiences, as well as undertaking research aligned with museum priorities. Leading the repatriation of Indigenous ancestral belongings through deep engagement with relevant communities, in close partnership with the Hatch Curator of Indigenous Art and Culture, along with the Indigenous Interpretive Planner and Indigenous Museum Educator, the position reports to the Co-Chief Curator, Art and Culture, and will be a key voice in rethinking colonial patterns of practice and centering Indigenous perspectives. An accomplished researcher, the Curator of North American Archaeology will propose and develop ground-breaking exhibitions and interpret ROM’s North American archaeology collection in collaboration with communities through inclusive, transdisciplinary thinking, digital practices, and innovation.

The Curator develops and cares for ROM’s Archaeological collection with a focus on North American cultural materials representing over 13,000 years of human history. The collection includes human remains, and continuing the appropriate return to communities is a top priority of the curatorship. The position will also collaborate with ROM’s Learning Department and Indigenous Museum Educators to develop indigenous-centered educational and outreach programming, including supporting the Ontario curriculum in First Nations, Métis, and Inuit Studies. The Curator will explore questions relevant to Canadian archaeology and throughout the contemporary world and will model inclusive interpretation of collections by a community of voices and viewpoints, acknowledging ROM as a forum rather than a sole authority.

Roles and Responsibilities
Collections, Research, and Exhibitions
• Lead the repatriation of Indigenous ancestral belongings (including human remains) through deep engagement with relevant communities, in close partnership with the Hatch Curator of Indigenous Art and Culture, responding to developments in the field and community expectations, and establishing staff repatriation strategies and priorities.
• Establish and lead a vision for the North American archaeology collection, including development of a 10-year collection development plan in alignment with ROM’s mission, vision, values, and strategic plan, and in integration with ROM’s full collection.
• Steward the North American archaeology collection, through fieldwork, study, rotation and display, care and record-keeping, provenance research, digitization, and publication.
• Build ROM’s North American archaeology collection in new directions and through active field research and scholarly endeavor.
• Develop original, scholarly research and publications relating to ROM collections, exhibitions, and related topics.
• Conduct and facilitate research on the North American archaeology collection by visiting scholars.

Exhibition and Gallery Development
• Collaborate with community stakeholders, curatorial colleagues, and interpretive staff to generate innovative visitor-centric and transdisciplinary gallery and exhibition projects.
• Participate in Master Gallery Interpretative Planning (MGIP), and work with ROM exhibition staff to continue the re-development of ROM’s Daphne Cockwell Gallery Dedicated to First Peoples Art and Culture.
• Oversee content development for gallery interventions, rotations, programs, and special exhibitions in North American Archaeology and contribute to larger cross-institutional and transdisciplinary exhibition and gallery projects.
Public Programs and Community Engagement
• Initiate onsite and virtual programs and school curriculum related to North American Archaeology in collaboration with Indigenous Museum Educators and engagement staff.
• Develop relationships with Indigenous communities to build dialogue, interpretation, and pedagogy relating to their ancestral belongings. 
• Provide lectures, tours, and workshops to the general public, volunteers, professional colleagues, and museum supporters.
• Cultivate financial and other support for exhibitions, galleries, programs, symposia, acquisitions, research grants, and fellowships through association with professional organizations, foundations, collectors, and donors in collaboration with fundraising staff.
• Embrace other collections, research, exhibition, gallery development, public program, and community engagement duties as needed.

Traits and Characteristics
The Curator will be receptive to and will effectively communicate innovative ideas, methods, and opportunities in honouring the past while framing relevant contemporary societal issues. They will seek to learn and acquire new knowledge and will bring an understanding of people, values, and systems to ROM, demonstrated through respect for differences, a deep understanding of appreciative inquiry, and an ability to build consensus across differences. An enthusiastic and persuasive team member, they will develop strong relationships with colleagues, supervisors, Indigenous communities, exhibition partners, and many other stakeholders who impact, and are impacted by ROM programs.

Other key competencies include:
• Diplomacy – The ability to effectively and tactfully handle difficult or sensitive issues, taking numerous perspectives into account, and advancing productive conversations. ROM’s work intersects with many social and cultural initiatives (Truth and Reconciliation, Repatriation, among others) that can engender trauma and challenging conversation with internal and external stakeholders. Diplomacy in all communications is needed to ensure safety and belongingness across the ROM community.
• Influencing Others and Interpersonal Skills – The dexterity to effectively communicate and personally affect others’ actions, decisions, opinions, or thinking while building rapport and relating well to various stakeholders. All ROM initiatives are a group effort; thus, advocating for one’s professional recommendations and expertise is always part of building respectful relationships across the institution.
• Resiliency – The capacity to quickly recover from challenging or adverse situations, learn, grow, and evolve in contemporary society. The art of working across a large organization engaged in dynamic work in the museum sector to guide collaboration with diverse individuals and groups of stakeholders. Embracing positive momentum while maintaining institutional objectives to drive organizational and sectoral evolution.
• Teamwork and Personal Accountability – The ability to cooperate with others to meet objectives while being answerable for personal actions. ROM is a collaborative environment where individuals must work across departments with their counterparts and be responsible for advancing a variety of initiatives.
• Time and Project Management – The acuity to prioritize and complete tasks in order to deliver desired outcomes within planned budgets and time frames, as well as being adept at working on multiple projects simultaneously and demonstrating a long-term commitment to delivering results on time and within available resources.

Qualifications
The successful candidate will have advanced studies in archaeology, social-cultural anthropology, or a closely related field, or will have the equivalent experience in curation, research, and publication with a focus on North America and in particular Canada and Ontario. Professional experience in a cultural center, museum, or related environment is an asset, as is a demonstrable track record of archaeological field practices through active engagement and collaboration with local communities. A deep understanding, education, and/or practical experience in understanding the complexities and societal pressures involved in collections and exhibitions is required. The successful candidate will have an excellent command of both spoken and written English, and a working knowledge of an Indigenous language is an asset. Prior experience leading or conducting projects with government grants is appreciated.

Qualified applicants may have lived experience of the culture, language, and lifeways of an Indigenous community. The Curator search is part of an Indigenous Cohort Hiring initiative to realize ROM’s commitment to having Indigenous staff throughout the organization and to ensuring that Indigenous employees find a welcoming environment and a supportive community.

Compensation and Benefits
ROM offers a competitive salary and comprehensive benefits package, including a base salary estimated to be in a range between $87,664 and $146,234 (CDN), dependent on experience, with full medical and dental insurance, a total of 22 days of pro-rated paid time off, and inclusion in the ROM pension plan (via CAAT). This position is part of the ROM Curatorial Association union.

Applications and Inquiries
To submit a cover letter and resume with a summary of demonstrable accomplishments (electronic submissions preferred), please visit https://artsconsulting.com/opensearches/royal-ontario-museum-seeks-vetto.... For questions or general inquiries about this job opportunity, please contact:

Bruce D. Thibodeau, President
Jeff Erbach, Associate Vice President
Tel (888) 234.4236 Ext. 201 (Dr. Thibodeau) or Ext. 241 (Mr. Erbach)
Email ROM-CuratorNAA@ArtsConsulting.com

Royal Ontario Museum acknowledges that this museum sits on the ancestral lands of the Wendat, the Haudenosaunee Confederacy, and the Anishinaabek Nation, which includes the Mississaugas of the Credit First Nation, since time immemorial to today.

ROM is committed to fair and accessible employment practices and considers equity, diversity, and inclusivity to be foundational to its institutional success. ROM seeks to foster a workplace that reflects the full breadth of the communities it serves and welcomes applications from women, racialized persons, Indigenous/Aboriginal People of North America, LGBTQ2S+, and people with disabilities. Upon request, suitable accommodations are available under the Accessibility for Ontarians with Disability Act (AODA) to applicants invited to an interview.

Hourly Wage, Salary or Salary Range: 
$87,664 to $146,234
Application Deadline: 
Saturday, June 15, 2024
Type of Work: 
Full Time
City: 
Toronto
Province: 
Ontario
Education Level: 
University (Undergraduate)
Languages: 
English
Travel: 
No
Prefered Method(s) of Application: 
Apply Online

Programmer – Culture & Heritage (On site)

Our Community:
People who visit and live in Okotoks often comment on how beautiful the scenery is – the mountain views are majestic and the Sheep River valley is at the heart of where we play. They love that Okotoks is just 15 minutes south of Calgary and a short drive to Kananaskis Country. Okotoks has gained a reputation as an award-winning community, recognized nationally for our commitment to sustainability and to organizational excellence. With annexation complete, the
community will grow substantially over the next 60 years. These are exciting times for Okotoks as we envision and plan for our future, while we remain committed to maintaining the enviable lifestyle our residents enjoy.

We Are:
The Town of Okotoks is a progressive organization, offering a challenging and dynamic work environment where collaboration, open communication, frequent exchange of ideas and teamwork across different business centres assists us in providing exceptional customer service.

The Town of Okotoks fosters a culture of shared accountability through our collaboratively developed “Habits of Execution”, which empower employees to focus on organizational outcomes and support a high performance culture. We have a strong focus on health and safety, and strive for a culture of wellness, inclusion and organizational effectiveness.

The Opportunity:
We have an exciting opportunity for a highly motivated Programmer – Culture & Heritage to join our team to support and participate in the promotion, development, administration and delivery of Town programs. Reporting to the Culture & Heritage Team Lead, the Programmer – Culture & Heritage is responsible duties such as:

  • Research, develop and deliver programs for students, adults and families, with a focus on professional quality instruction; Courses will include history, visual arts, open media, performance arts, writing and music for children, teens, and adults.
  • Evaluate and develop lesson plans/curriculum;
  • Create learning opportunities and events that augment curriculum and serve the community, while contributing to the fiscal health of the business centre and facilitating growth;
  • Design and prepare materials for classes and workshops, including timesheets, rosters, registration and evaluation forms, seminar handouts and handbooks;
  • Coordinate and schedule programs, classes, events and workshops;
  • Promotion of programs in conjunction with Communications.
  • Coordinate with other team members to provide seamless leisure and learning opportunities for the community.
  • Participate in training staff and volunteers;
  • Provide direct service hours as needed by the business centre;
  • Receive and direct visitors, answer public inquiries and dispense public information as needed.

What You Bring

  • Equivalent to completion of a University (Bachelor) Program in a related field or an equivalent mix of formal training and experience may be considered.
  • Three (3) or more years related work experience representing continuous learning and career progression; including one year experience in indirect supervision and/or leadership/mentorship experience.
  • Exceptional organizational, multitasking, communication, and interpersonal skills.
  • Proficiency in Microsoft Office suite.

What We Offer:

Competitive Salary
Comprehensive benefit and pension plans
Career development
Flexible work schedule
So much more!
Pre-employment Requirements:
Candidates who progress to final stages of the recruitment process will be required to provide proof of education and designation along with a favorable criminal record check and possibly a driver’s abstract depending on the position.

Business Centre Culture & Heritage
Position Type Full-time
Compensation $61,756 - $68,058
Standby Rotation Required No
Hours of Work 37.5
Number of Openings 1
Work Location On-site
Police Record Check Required Yes, including vulnerable sector
Driver’s Abstract Required No
Deadline to Apply June 18, 2023

How to apply
Interested applicants are invited to submit a cover letter and resume online through the Apply Now on the Town Website by the closing date listed. We will not be able to accept late applications.

The Town of Okotoks is an inclusive workplace and welcomes applications from all qualified applicants.

We thank all applicants for their interest. Only those receiving an interview will be contacted.

Application Deadline: 
Sunday, June 18, 2023
Type of Work: 
Full Time
City: 
okotoks
Province: 
Alberta
Education Level: 
High School
Languages: 
English
Travel: 
No
Prefered Method(s) of Application: 
Apply Online

Agente de communications

Titre du poste : Agente de communication
Sous la responsabilité du : Directeur général
Langues : Anglais et français courants
Horaire de travail : temps plein flexible, principalement durant les heures de bureau, heure de l’Est
Salaire : 43 000 $ à 45 000 $ par an (+dépenses de bureau à domicile à négocier)

Sommaire

Relevant du directeur général, la titulaire du poste participera sera responsable de développer et mettre en marche les plans de communication afin de rehausser le rayonnement et la réputation de l’organisme. Ce poste exige que la titulaire soit à l'aise avec à travailler dans les deux langues officielles, principalement dans un environnement de travail virtuel pour un organisme dynamique avec d’importantes retombées nationales pour le secteur culturel canadien.

À propos de l'organisme

Le Conseil des ressources humaines du secteur culturel (CRHSC) est un organisme national à but non-lucratif avec statut d’œuvre caritative. Le CRHSC a pour mission de renforcer la main-d'œuvre de la culture au Canada en démontrant du leadership, en trouvant des solutions innovatrices aux problèmes de ressources humaines et en améliorant l'environnement du secteur culturel en matière de ressources humaines. Le CRHSC réunit les établissements (entreprises privées et organismes à but non-lucratif) et les individus (tous les travailleurs culturel) de toutes les industries et disciplines culturelles comprenant les arts de la scène, la création littéraire et l'édition, les arts visuels et les métiers d'art, le cinéma et la radiotélé-diffusion, les médias numériques, la musique et l'enregistrement sonore et le patrimoine. Le CRHSC traite également de sujets interreliés dont la gestion culturelle, la gestion de carrière et le marketing à l'exportation : le tout, dans les deux langues officielles.

Rôle dans l'organisme

En collaboration avec le directeur général, les entrepreneurs et les collaborateurs du CRHSC, l'agente de communications sert de liaison avec les parties prenantes internes et externes en développant, mettant en marche et en coordonnant les communications afin d’élever le niveau de rayonnement et la réputation de l’organisme. Des responsabilités décisionnelles raisonnables peuvent être déléguées à la titulaire afin d'éviter la micro-gestion.

Le CRHSC souscrit aux principes de l'égalité d'accès à l'emploi. Nous invitons la soumission de dossiers de candidatures d’individus de tous les héritages culturels, origines et identités personnelles.

Le CRHSC se conforme à son Code de conduite pour les arts de la scène  comme ligne directrice pour un milieu de travail respectueux.

Conditions

Débutant en juin 2023, le contrat sera en vigueur jusqu’à la fin de l’exercice financier se terminant le 31 mars 2023. Par la suite, ce poste est un contrat de travail renouvelable d'un an, sous réserve d'une évaluation du rendement annuelle satisfaisante et de l'approbation du budget par le conseil d'administration.

L'horaire et les heures de travail sont principalement durant le jour les jours de semaine dans le fuseau horaire de l'Est. En raison de l'envergure nationale du CRHSC et des projets en cours, la flexibilité des horaires est attendue (certains matins, soirs et week-ends) et encouragée en vue d'un équilibre sain entre le travail et la vie privée. La culture organisationnelle est conviviale et accommodante.

Le bureau officiel du CRHSC est situé dans un bureau partagé à Ottawa (Ontario). Les personnes à l’emploi du CRHSC travaillent principalement en ligne. Toutefois, ce poste peut exiger une présence physique en personne (maximum d’une fois par semaine) pour diverses raisons. Autrement, la titulaire travaille à distance depuis son domicile ou tout autre endroit (au Canada) où elle peut le faire en toute sécurité et dans le respect de l'horaire flexible décrit ci-dessus.

  • Les frais de déplacement liés au trajet domicile-travail ne sont pas remboursés.
  • Les frais de déplacement liés aux projets sont remboursés.

Domaines de responsabilités/tâches

Communication avec les membres, les parties prenantes et le grand public pour toutes les promotions et tous les projets de l'organisme. Cela inclut les médias sociaux et d'autres initiatives de rayonnement.

  1. Élaborer et mettre en œuvre des plans de communication : Créer un plan de communication efficace qui s'aligne sur la mission, les valeurs, les objectifs et les activités de l'organisation. Le plan doit comprendre des stratégies pour s'engager auprès des divers intervenants du secteur culturel canadien (individus, organismes et gouvernement).
  2. Créer et gérer le contenu : Développer un contenu de haute qualité pour le site web de l'organisme, les médias sociaux, les bulletins d'information et les autres canaux de communication. Il peut s'agir de rédiger des articles, des communiqués de presse, des messages sur les médias sociaux et d'autres contenus, ainsi que de gérer la marque visuelle de l'organisme et le contenu médiatique (podcasts, graphiques, images et vidéos).
  3. Planification et promotion d'événements : Développer le contenu et mettre en œuvre des stratégies de promotion pour les événements en personne et en ligne de l'organisme, y compris l'élaboration de communiqués de presse, la gestion de campagnes sur les médias sociaux et d'autres stratégies visant à assurer le succès des événements et une forte participation.
  4. Engagement et gestion des parties prenantes : Développer et gérer les relations avec les principales parties prenantes, y compris les membres, les participants aux stages et les partenaires sectoriels, afin de s'assurer que la mission et les activités de l'organisation sont bien comprises et soutenues. Gérer l'outil de gestion des relations avec les clients (CRM) et la base de données du CRHSC. Assurer la liaison avec les parties prenantes et faciliter le dialogue et le partage d'informations.
  5. Assurer le suivi et l'analyse des indicateurs : Suivre et analyser l'efficacité des stratégies de communication de l'organisation, y compris le trafic sur le site web, les médias sociaux et l'engagement du lectorat, ainsi que d'autres paramètres afin d'affiner et d'améliorer les efforts de communication.

Qualifications

Être légalement autorisée à travailler au Canada.
Bilingue, français/anglais, excellentes compétences en matière de rédaction, d'expression orale et de lecture.
Études et/ou expérience professionnelle comme suit :

  • Un diplôme (terminé ou en cours d'obtention) en communications, marketing ou un programme similaire d'une université ou d'un collège reconnu
  • Expérience professionnelle (1 an ou plus, de préférence) dans un rôle similaire

Compétences essentielles

Fortes compétences en communication, en écriture et du point de vue interpersonnel. Un haut degré d’aisance avec des outils et plateformes de communications (Zoom/Teams, SurveyMonkey, CRM) est aussi nécessaire.
 
Capacité à :

  • Travailler à distance et de manière indépendante
  • Travailler en tant que membre d'une équipe
  • Avoir une vue macro et micro
  • Analyser et synthétiser
  • Rechercher des informations
  • Respecter la confidentialité
  • Produire des rapports

Compétences informatiques/technologiques (y compris mais sans s'y limiter : Suite Office, archives en ligne/nuage, formulaire Google et autres selon les besoins).
Sens de l'organisation

Atouts

Connaissance :

  • Du secteur culturel
  • Des termes juridiques et/ou commerciaux
  • De la gestion des RH
  • Des sous-secteurs/disciplines artistiques et leurs réseaux
  • Des sous-secteurs/disciplines artistiques des Premières nations et de leurs réseaux

Sensibilité aux éléments du vocabulaire socialement inclusif, diversifié, équitable et accessible
*Les candidates sont invitées à partager toutes autres compétences pratiques ou utiles à l’emploi

Afin de postuler

Veuillez soumettre vos documents de candidature et vos coordonnées par courriel à : candidatures@crhsculturlel.ca avec cc à ggagnon@culturalhrc.ca dès que possible.
Le CRHSC remercie toutes les candidates de leur intérêt. Seules les candidates sélectionnées pour un entretien seront contactées. Le critère de bilinguisme sera évalué au courant d’une conversation téléphonique avant l’entrevue. Le CRHSC révisera les candidatures en continu. Si cette annonce est encore visible sur http://cultureworks.ca/fr, les candidatures sont toujours bienvenues.

Hourly Wage, Salary or Salary Range: 
$43-45k annually
Application Deadline: 
Friday, June 30, 2023
Type of Work: 
Full Time
City: 
Ottawa
Province: 
Ontario
Education Level: 
University (Undergraduate)
Languages: 
English
French
Travel: 
No
Prefered Method(s) of Application: 
By E-Mail

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